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Kinetic typography is a form of animation that centers mostly on moving text. Simple enough in concept, but it can lend itself to some truly amazing and complex animations if done properly. There are some people that are trying to make it an automated process, but until then us animators are just going to have to do it by hand. I’m happy to offer both video and text versions of this tutorial.If you’re going to watch the videos, make sure you use the full-screen mode.
This is the video tutorial for using 3-D mode.
Project Files
As promised, the After Effects, Illustrator and audio files are now available for download. It’s all CS3, so I hope you’ve upgraded.
Step 1: Create the layout
Your animation should always start on a blank piece of paper. Plan out your super-cool movements and any complex shapes that will be in your animation. Since you’re going to want the ability to scale your animations up and down without pixellation, your elements need to be vector based. I recommend Adobe Illustrator. Open Illustrator. Create a new document. 1024 x 768 pixels with RGB Color is a good starting point. Obviously, you can change the size of your document if need be, but I like this size as a default. Using your Type tool, insert the text of your source material. Don’t worry about using the type tools to do any paragraph formatting. That step comes next. Just make sure that there’s plenty of space between the lines. It’ll be easier to separating the text onto different layers.
Advanced Tip If your source audio has more than one person speaking in it, it’s a good idea to use two different typefaces for their voices. This gives your viewer a clue as to who is speaking at any given time and adds character to their voices.
Step 2: Moving the words to their own layers
Since we’re going to be animating all of the words individually, they each need to be on a different layer. It’s not as scary as it sounds.
- Select your text with the Selection Tool.
- Outline your text (Type –> Create Outlines).
- With your text still selected, ungroup them (Object –> Ungroup).
- Click anywhere that’s empty in the pasteboard. Then click and drag to select the first word of your script. Group it (Object –> Group). Select and group the next word. Repeat this for the entire script.
- Once all of your words are in their own groups, Select All (Select -> Select All).
- Open the Layers Palette.
- From the Options menu, select Release to Layers (Sequence).
- Move the newly created layers from being nested to above their nesting layer.
That’s it. All of your words are on individual layers. Now it’s time to start laying them out, according to your plan. You have a plan, right? Resize, rotate and color your words. This is when your document will start looking cool. Follow your original plan and create a 2-D layout of your text. Don’t try and add any effects or filters to your words. You can do that in After Effects.
What your text should look like in Illustrator
What your Layers palette should look like
Step 3: Getting Animated
Open After Effects. Create a new composition that is 720 x 480. This is a good size for scaling down to YouTube sizes, but it’s also broadcast size so you can burn your work onto DVD at full resolution. Make sure its duration is a little bit longer than your source material. This is important to set now so that all of your compositions will be the appropriate length. It makes it easier to sync up the animations with the audio. Import your Illustrator file. Double-click in the Project pane and navigate to your file. Make sure that you select the Composition – With Cropped Layers import option.
After Effects will create a New Composition that looks exactly like your Illustrator layout, with all of the elements on separate layers and in the proper positions. Do not just drag the layers from the new folder into a composition. AE will just stack them all, one on top of the other, like this:
This is NOT the composition that AE created when you imported your AI file.
Zoom vs. Scale
After Effects has a Zoom Tool that will allow you to get a closer look at your composition. However, it does not actually make the layers any bigger. If you zoom in on a vector image, it will look pixelated. To actually make your layers bigger, select a layer and press S to bring up the Scale attribute.
Double click the new composition in the project palette to open it. If you’ve properly split up your layers in Illustrator, then all of your elements will be on separate layers. If your text is predominately black, then you’ll want to change the background color (Composition –> Background Color). Your animation must be split into manageable sections. The number of layers that will be in a section are entirely up to you. I find that about 4 or 5 sections per animation are adequate. Select the layers that will make up your first section, then pre-compose them (Layer –> Pre-Compose).
Advanced Tip Pre-composing (or nesting compositions) is extremely useful. It’s kind of like Grouping layers together, while retaining the individual animations of the individual layers. It allows you to easily scale and rotate entire sections of your animation around a single anchor point. It’s tough to describe. Best you get in there yourself and find out what it can do.
Go back to the Illustrator composition and hide the newly created composition. Select the layers that make up the next section. Pre-compose them. Repeat this until your entire animation is divided up into sections.
You want to split up your layout in separate compositions for two reasons:
- Performance: Unless you’re on a NASA SuperComputer (and if you are, get back to work) then your computer is going to take a painfully long time to redraw each screen.
- Movement: Because we will be rotating and scaling them, animating your sections in the final comp will be easier if your comps are smaller in dimension.
Now you’re going to animate the sections individually before bringing them together as a whole. Hopefully, you’ve already got some specific ideas planned out.
Step 4: Syncing the Audio
The most identifiable characteristic of a kinetic typography animation is that the type on the screen is synced up with the audio source. Something happens (the word pops up, becomes centered, zooms in, etc.) with a specific word at the same time it is heard. So you’ve got to sync up your source audio with some kind of event that happens to each word. The simplest of these events is the word appearing on screen, so that’s the one we’re going to focus on. Obviously, the word could bounce in, fade in, move in, grow in, drop in, whatever you want. But it’s easiest to start with the word just appearing. After you’ve mastered that, you can figure out how to do the rest. Here’s how to sync up your words with your audio source:
- Open your first section composition.
- Import your source audio into the project.
- Drag and drop the source into your composition. Go ahead and lock the audio layer so that you don’t accidentally move it in the timeline.
- Reposition the work area sliders until you’re focused on the section of the source audio that corresponds with the layers in the composition.
- Select all of your layers (except the audio source). Move them to the right of the work area in the timeline (not in the composition window.)
- Press 0 on your keypad. This creates a RAM Preview with Audio.
Listen to the source and watch your time scrubber. One by one, drag your “words” back into the work area. Move them so that their In Point is exactly in sync with when the word is said in the source audio. 
Check the sync by pressing 0 on the keypad again. Repeat steps 8 and 9 until the entire section is synced up. Delete the audio source layer (don’t forget to unlock it, first).
Advanced Tip Once you’ve got your layers synced up, you can select them all and drag the In Point of any one of them backwards a few frames. This will create some lead time with some helpful tick marks on the layers timeline that visually identify when the word is said in the audio. You can use this lead time to animate your text to its appropriate place.
So, now your first section is synced up with your source audio. If you’ve done it right, it will seem to be sitting by itself in a large, mostly empty composition. Also, it’s likely that not all of your words will be right-side up. Don’t worry about any of that. We’ll get to it when we create the final composition. Repeat this process for each of your sections. Remember to delete the source audio from each composition, otherwise you’ll get a horrible echo when you create your final comp.
Step 5: All together now
It’s time to assemble the multiple section animations into your final composition. Think of each section as an actor in a play. When the first one is done with their monologue, it’s time for them to leave the stage and for the next one to come on. As the director, it’s your job to make sure they enter and exit on cue. How you make the individual sections appear on-screen, and how you make them exit, is entirely up to you. Some cool ways to transition are:
- Blurring the text with fast movement.
- Invert the background and the text colors, marking a sharp change.
- Growing the previous section until one of its letters takes up the entire screen, and then having the next section appear inside of it.
Syncing along the way
You need to be sure and sync each section with the source audio as you bring it into your final composition. Define your work area boundaries, press the 0 (zero) key on your keypad (not the same as the numbers across the top of your keyboard) for a RAM Preview with Audio. If you get a weird echo, then you forgot to delete the source audio in one of your section compositions. Go back into the composition and delete the audio layer there.
Pause for a moment
Stop and start the animations by duplicating keyframes. By creating “dead space” between animations, you allow the viewer time to read and absorb the information on screen. 
Following your plan, animate your section compositions. Since your words are already animated, it will be easy to animate the composition layer since you can see what words are being said at what time.
Advanced Tip Easy Ease is a great tool for use in these kinds of animations. After you’ve animated your sections, convert the end keyframes of each move into Easy Ease keyframes. Select the keyframe markers, right-click and choose Keyframe Assistant –> Easy Ease.
Make sure to turn on Motion Blur and Continuously Rasterize for all of your compositions.
Continuously Rasterize and Motion Blur switches
Advanced Tip Motion Blur won’t show up during a preview unless you turn it on for the whole composition. That switch is different than the one that turns it on for individual layers. Look directly beneath the composition tabs.
Lightbox Background
You’re almost finished. After all of your sections are animated, it’s a good idea to create a visually compelling background. You can be as complex as you like, but remember that a visually compelling background will pull attention away from your text, which is kind of against the nature of kinetic typography. I like to use subtle gradients for my backgrounds. To create a gradient, first create a new Solid by selecting Layer –> New –> Solid. The color you pick here is irrelevant. You’ll define the color with the Ramp filter.
Click to enlarge
Move your new solid layer below all of your other layers. Select it and choose Filter –> Generate –> Ramp. Change the start color to a deep red and the end color to black, and change the Ramp Shape to Radial.
Move your start point to the center of the layer and your end point off the edge. This will create a soft-lit background that will make light-colored text stand out.
You can also add effects to your section compositions. Be as creative as you like, but remember that people came for the typography, so don’t get too wild with distracting filters like drop shadows and reflections.
Step 6: Out the door
When you export your final composition, make sure you export the audio along with it. In the Projects Pane, select your final composition. Start the process by selecting (Composition –> Make Movie). In the Render Queue, look for the Output Module. Click the word “Lossless.” In the dialogue box that comes up, there should be an Audio Export section near the bottom. Click on the checkbox marked “Audio Output.” Click the “OK” button.
Press Render to start rendering your animation. When it’s done, so are you. If you liked this tutorial, please Digg or Stumble it. Also, leave comments regarding what other kinds of tutorials you’d like to see.
The End Result
Here are our YouTube videos. Subscribe to our channel so you can know when the next big video hits. And if you really like us, read our comic. It’s, well, it’s worthwhile.
September 4th, 2008 at 2:53 pm
Hello everyone who has made it to the new site! I hope you like the redesign, and I think that the comments will work better now. So, please, ANY questions or comments, leave them here and I will interact with you.
I promise.
September 4th, 2008 at 4:49 pm
Nice Tut. Thx!
September 5th, 2008 at 3:34 pm
Hey, thanks for this superb tutorial.
September 20th, 2008 at 11:28 pm
Great tutorial but for those of us who aren’t quite ready to plonk down a thousand bucks for After Effects, is there any way (or do you know of a tutorial) to accomplish something similar in flash? Thank you!
September 21st, 2008 at 11:25 am
I’ve seen a few Flash tutorials for this kind of thing out there, but I’m willing to bet that the principles remain the same.
I bet that syncing the audio is a completely different process, though. If any of my readers know how to do this kind of thing in Flash, I’d love an explanation!
September 27th, 2008 at 9:36 pm
Thanks! this is the bet tutorial out there!
September 29th, 2008 at 1:27 pm
Hi,
I’m stuck the the composition of adding the parts and rotating the camera.. I figured out how to rotate and scale, but how to you do it smoothly? You can’t really see what you’re doing on the video because it’s so small.
Hope to hear from you soon..
Max.
September 29th, 2008 at 1:38 pm
Not sure if I made sense.. I re-read what I posted..
What I meant was that when I rotate the camera to the next words, how do you make that rotation that’s in motion turn smoothly.. on my screen it keeps going really fast and can’t figure out how to slow it down..
Thanks in advance for the help :)
Max.
September 29th, 2008 at 2:51 pm
Thank you!!, i ve been looking for this for a long time…
PLEASE MEKE SOME MORE!!!!!!!!!!!!!!!!!!
September 30th, 2008 at 5:45 pm
yeah, gets pretty vague at step 5
September 30th, 2008 at 5:50 pm
Okay everyone, I hear ya. I’m working on clarifying Step 5 onward. I’ll be adding in more pictures and more steps. Make sure and check back. I hope to have them done soon.
October 1st, 2008 at 6:17 pm
I am having trouble with the audio syncing. I put my file in the comp, but no sound. What do i do?
October 6th, 2008 at 6:26 am
Looking forward to seeing the additional steps Elrond :)
October 7th, 2008 at 3:18 am
Hey,
Im doing this tutorial following it step by step with the same scripts etc. I got to the stage of syncing the audio with the words and realised I dont have the same audio file as you. Are you able to upload the audio file that you used so I can use it for this project?
Thanks
~Joel
October 7th, 2008 at 10:41 am
[...] Boleh lihat tutorialnya di sini : Kinetic Typography Tutorial [...]
October 7th, 2008 at 2:34 pm
The updates to the steps are coming. I want to be sure and get them right this time!
Also, would it be helpful if I put the source files up for download?
October 7th, 2008 at 4:28 pm
I think it would be really good if you put up all the files involved in this tutorial for download… the audio file, script txt file, illustrator file and the finished movie file.
That would be really helpful.
October 7th, 2008 at 4:36 pm
yes yes put the source file up for download :D!
October 9th, 2008 at 5:41 pm
The source files are up!
The link is at the top of the article, so you don’t have to go search around for it. I’m putting it up as a way of apologizing for not having put in the extra steps for the tutorial.
Sorry it’s taking so long. I don’t know if you’ve been reading the comic, but things have gotten out of hand…
October 13th, 2008 at 12:47 pm
I’m still wondering how to get the audio to work in AE…
October 13th, 2008 at 2:19 pm
Sorry, again. We are hectic down here.
Press the Zero key on your Keypad for a RAM Preview with Audio. That will make it easier to sync up your words and sounds.
October 18th, 2008 at 1:18 pm
When I get all my layers together in AI, when I transfer it into AE, I import it as you tell us to. Yet, instead of being in the format I layed it out in while in AI, its all grouped up around a single center dot of AE. Why? I worked forever to arrange the layers in AI. Tell me I wont have to do it all over again in AE. Just as a heads up, theres a total of 308 layers.
October 20th, 2008 at 7:45 pm
Hi.I have a big problem.
Why when i import illustrator file in the after effect’s stage with crop layers after effects don’t import with order the levels?
I view alla words but not in the same position of illustrator composition.
Sorry for my stupi english:(
October 21st, 2008 at 11:02 am
@Gerad – I’m not sure what’s going on there. I’m sorry. If you import the AI file as a Composition with Cropped Layers, then the layers should retain their position IN THE COMPOSITION THAT AE CREATES OF YOUR AI FILE. Don’t just drag the source files into a new composition. That won’t work.
@Sabato Urciuoli – The order of the layers should be retained in the transfer from AI to AE. I can check the file for you if you email it to me.
October 22nd, 2008 at 11:06 pm
I figured it out, I was doing everything right. However, one thing I didnt allow was for AE to process the information. There was a blue progess bar in the workspace window that I wasnt allowing to fully fill before I did something. I now allowed that progress bar to fill and everything is in working order. If that made NO sense, I apologize, it made sense to me haha. Thanks for the speedy reply.
October 24th, 2008 at 1:10 am
Hey! thanks for this tutorial I’ve been having lots of fun with that lately :)
this is my latest try at it (4th try)
http://www.youtube.com/watch?v=SlhkNl104Fo
there’s still lots of stuff I’m having trouble with tho :-S hmmm
but very well done tutorial :)
October 24th, 2008 at 12:38 pm
Hi there!
First of all, this is an amazing tutorial! It’s very easy to follow and exactly what I was looking for.
I am, however, having a problem with parts of Step 3!
I’m pretty sure I did everything correctly in Illustrator; everything is on it’s own layer. I’ve imported it correctly but when I add the layers to the composition they are all really scrunched and grouped together and overlapping on the screen.
It looks something like this:
http://i121.photobucket.com/albums/o230/dayln03/TypographyVid.png
Is this normal? Should I just start moving stuff around and try and put it in the right spot or did I do something wrong along the way?
Any help at all that you can offer would be SUPER appreciated! :D
Thanks so much!
October 24th, 2008 at 1:39 pm
Dayln, thanks for pointing out that issue. I hope you don’t mind, but I used your image to help clarify what not to do.
The short answer is you have to work from the composition that AE creates when you import your AI file. Open it instead of dragging all the layers into an empty composition.
October 27th, 2008 at 8:58 pm
Thanks! I got it figured out now :)
I don’t mind being the example either. No worries!
October 31st, 2008 at 9:00 am
Great tutorial, perfect for my current course brief. THANKS!!
November 9th, 2008 at 1:11 pm
This is weird, after I import my illustrator file all my text comes in fine with the proper order…however, all the text looks pixelated ie. not vector. If I zoom in on any text, it just looks like one blurry mess. Help!
November 11th, 2008 at 7:38 am
I am actually having the same issue as David. All of my text imports fine (after 7 minutes of waiting) but it is completely pixelated. My animation is composed of about 3.5 minutes of text. Please Help!
November 11th, 2008 at 10:01 am
@David and @Alex -
Are you zooming in on your text with the AE Zoom Tool, or are you scaling the layers up with the Scale Attribute? These are two different processes. One of them, the Zoom Tool, just blows up the image of the composition. The Scale Attribute of a vector layer with Continuously Rasterize turned on is what you want to change.
Thanks for letting me know I left that out of the tutorial. I’ll be sure to add it in somewhere.
November 11th, 2008 at 3:26 pm
Thanks for the tutorial, I hope you write more tutorials
from Jujuy – Argentina
November 21st, 2008 at 12:38 am
Hey, love your tutorial, I’m trying to follow along but when I import the ai file, it doesn’t go straight to my time line and when I drag it onto the stage or time line it places every word in the middle… any solutions for that?
November 21st, 2008 at 12:43 am
Sorry, just read the comments above, figured it out. Still an awesome tutorial.
November 21st, 2008 at 4:28 am
[...] to Elrond Hubbard Posted by edelyne Filed in Time Based 1 Tags: After Effects, Kinetic, Tutorial, [...]
November 21st, 2008 at 4:10 pm
I have the same problem with pixelated look of text as David and Alex above me.
I use scale tool but it doesnt work. Did you solve this problem?
November 23rd, 2008 at 6:56 pm
[...] knowledge on after effects? im trying to do a kinetic typography exercise for a project of mine (Kineticy Typography Tutorial | The Crooked Gremlins) basically when i add my pre composed sections to my main composition and then start to create [...]
November 24th, 2008 at 12:34 am
hi,
first i loved your tutorial. it was really good but i’ having a problem with the importing part. i can make my text in Illustrator just fine but whenever i add it to the project list it doesn’t automatically become part of the composition. instead i get three items in the project window; comp1, an AI file which has the same icon as comp 1 and a folder where all my layers are kept which upon being put into the composition clutter on top of one another. please help!
Soujiro
December 12th, 2008 at 12:29 am
Rubbish Tutorial… rushes through leaving out so many unexplained elements, ends up creating one big effing mess! Damn you Elrond Hubbard! Damn you & your church of Scientology!
December 14th, 2008 at 11:20 am
yeah, i’m sorry but this is the worst tutorial i’ve ever seen, i’ve tried this 3 times and all of them got messed the hell up, now the latest one when everythings synced up and ready to be animated, when i scale the text up they lose their position, any way to fix this
January 6th, 2009 at 10:19 am
Anyone have links to a flash tutorial of kinetic typography? I dont have aftereffects but I do have flash! Thanks!
February 4th, 2009 at 9:34 pm
[...] Pour plus de détails sur le kinetic typography, voici un tutoriel vraiment interessant. [...]
February 11th, 2009 at 6:04 pm
can you start a preview (with audio) in the middle of the clip, so you don't have to listen to the whole thing over and over?
February 26th, 2009 at 9:28 pm
thanks for this amazing tutorial. I made step by step and it works just fine, but when i try to export from AF the sync its not perfect. I did try multiple options but the video and audio it´s allways a bit off
February 28th, 2009 at 7:11 am
I'm having some problems getting the ai file into AE. first i wasnt able to import it as a composition. it only allowed me to import it as a footage..but then i sort of figured it out. and it took like 10 minutes just to import my ai file (theres 232 layers) now when i go to select one part of the picture, it wont let me select them.all it says that im doing is changing the value..i dont understand..and everything i do it takes like 5 minutes just to do it!! wow this is so confusing..but can u help me figure out why i cant do the precomposition thing??
March 3rd, 2009 at 11:20 pm
[...] You can learn how to do it here, but only if you have CS3, it appears. [...]
March 4th, 2009 at 9:16 am
great tut! thnx!!!
March 10th, 2009 at 3:24 pm
The hardest part is explained very badly, the animation. You cant see what you are doing on that small screen, and it is not really explained at all how to animate it in AE. Else, very good tutorial.
I learned alot, but if u could add a little more about the animation it would be great.
Thanks
March 10th, 2009 at 3:46 pm
im talking about when you are gonna rotate, scale etc.
March 12th, 2009 at 5:41 am
Great tutorial, but anyone know how to make something like in “http://crisisofcredit.com/” ?
It is similar to this, but still not quite the same.
March 14th, 2009 at 2:51 pm
Anyone know how to do typography with small animation in the middle? LIke small people walking by or buildings poping out…….when your trying to explain something……like a diagram. I really need to know this anyone know?
thanks greaT
tutorial
March 14th, 2009 at 4:04 pm
http://www.youtube.com/watch?v=Q0zEXdDO5JU <- something like this would be great
March 20th, 2009 at 8:11 am
[...] 1 – Definição de Kinetic Typography (Wikipédia) 2 – 15 stunning motion typography videos (MarcoFolio) 3 – Kinetic Typography Site (Johnny Lee) 4 – Kinetic Typography Video Tutorial (Crooked Gremlins) [...]
March 21st, 2009 at 5:08 pm
One problem, when I take the ilustrator file and import it into after affects with cropped layers… the layout i created in illustrator is not kept, instead it piles it all up in the middle. I'm stuck please reaply soon. By the way I am using adobe CS4 does that change anything?
Thanks
April 4th, 2009 at 8:59 am
ei! :D wat program dd you use?
May 25th, 2009 at 10:02 am
I kno that the Kinetic typography is a form of animation that centers mostly on moving text. I appreciate your tutorial and the way you explain all the things in steps that was quite good.Keep up the good work.
June 5th, 2009 at 10:31 pm
I'm using a laptop and I don't have a "0" key on a number keypad other than the numbers across the top. Is there another key I can press instead? I have to go into the menu every time I want to playback (with the audio) and it gets pretty tedious. Any suggestions?
June 11th, 2009 at 7:54 pm
so I am just typing them out in after effects to do kinetic type….one thing, I can't group them so when I try to rotate, they are on their own axis point and its all out of whack. I tried just apple G but that doesnt work. any ideas?
June 15th, 2009 at 6:30 pm
a cool example of kinetic typography. No audio, all of the tone and meter come from the animation:
http://www.youtube.com/watch?v=vmnW6cz5rMI
June 21st, 2009 at 3:51 pm
[...] Big Lebowski, another The Big Lebowski, There Will Be Blood, a Richard Pryor quote and finally a tutorial on how do do it [...]
June 27th, 2009 at 1:05 pm
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July 13th, 2009 at 4:47 pm
how do you save in illustrator so it has layers? i can't figure it out
July 24th, 2009 at 12:04 am
the must be an easier way to sync the text to audio. If there any method to use some sort of markers imported from an external program (eg soundbooth, soundtrack, premiere/fcp) that had live scubbing through the timeline.
It would just be a simple method of aligning the words to the markers.
August 4th, 2009 at 10:39 am
[...] Kinetic Typography Tutorial [...]
August 14th, 2009 at 6:02 am
[...] Kinetic Typography Tutorial [...]
August 14th, 2009 at 6:21 am
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August 15th, 2009 at 11:55 am
[...] Kinetic Typography Tutorial [...]
August 19th, 2009 at 10:31 am
[...] as an example, kinetic typography (the video above). A relatively new artform that combines typographic flourishes with video and [...]
September 3rd, 2009 at 6:40 pm
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September 29th, 2009 at 1:24 am
great video.
thanks!
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October 14th, 2009 at 1:50 am
Maaaan, So, I've been following this tutorial.. Awesome by the way.. But, I am completely stuck on how to animate it. I just don't get it. Help me! =D
November 8th, 2009 at 6:33 am
can i pay you to make me one asap!?
name your price
30 second audio
November 8th, 2009 at 6:40 am
Can you give me some specifics?
- Carter Fort
Writer/Illustrator/Pimp-in-Good-Standing
The Crooked Gremlins
November 8th, 2009 at 6:55 am
i have emailed you a reply
thank you for your time
November 27th, 2009 at 7:15 pm
[...] KT is not any one specific process. It’s more of a collection of practices that are used in tandem to create something bigger than the sum of its parts. When I first started playing around with it, I noticed a lack of good tutorials that explain the basic techniques at work and how they interact with each other. So I wrote one. [...]
December 1st, 2009 at 7:37 pm
[...] inspiração e informação para fazer minha primeira Tipografia vieram desse post em particular do The Crooked Gremlins, indicado pelo, sempre presente, Paul, pouco mais de um ano atrás. Pra falar bem a verdade, esse [...]
December 17th, 2009 at 12:27 pm
[...] Tipografia cinética em Illustrator e After Effects [...]
January 1st, 2010 at 1:14 pm
This is one of the best typography demos I've ever seen!
http://www.youtube.com/watch?v=zyUAVz414_M
January 5th, 2010 at 2:23 pm
wow i want to learn that.
January 16th, 2010 at 10:12 am
man i was looking for this because i made two but i was having a hard time
February 4th, 2010 at 4:40 pm
Cool tutorial, but I'm having trouble with the import part like many others here. I have 50 layers in AI but when I import the AI file from AE it's just one layer…
February 5th, 2010 at 7:34 pm
This is the worst tutorial ever. I'd barely call it a tutorial at all. It is a collection of tips. You didn't actually explain HOW to do anything at all, you just had a few pointers (read: one useful pointer) about starting in Ai.
February 9th, 2010 at 3:17 am
[...] which was a headache. So thanks to all the Fish for these basic tutorials: Markus Gustafsson, The Crooked Gremlins & Video [...]